A place for Drachenwald's scribes to hang out, learn, discuss and critique each others work.

Tuesday, August 12, 2014

lots of flowers

This scroll was done ages ago as a blank and then the Signet of ID asked for scribes. I thought this would be a good scroll to use.









Gouache and oak -gall ink on pergamenata. Took about 40 hours to do this scroll which was way over my initial estimate but the tiny shading takes a log time especially as it is all layers upon layers.

Thursday, July 31, 2014

Macclesfield Fun!

After my first attempt copying from the Macclesfield alphabet, I was hooked. Now I want to do All The Macclesfields! But for a recent project, I restricted myself to nine, seven of which are here:

Wheee!

Friday, June 06, 2014

Making of Baron Marcus' Stormarn Court Barony and Mistress Bridget's Sigilum Coronae

Hello fellow scribes,

For Double Wars XXVII I had the honor and worry to do two scrolls for two people very dear to my heart! Mistress Bridget's Sigilum Coronae and Baron Marucs Court Barony.


It was quite challenging to do both of them for different reasons. you can read and see more of the making of on my blog http://kunst-stueckchen-kalligrafie.blogspot.de/.

Please feel free to chritique either here or on my blog!

Wednesday, April 30, 2014

A new year

I would like to remind all scribes that as of May1st we are welcoming in a new Anno Societatis year. It is now AS 49 or XLIX.

Happy New AS Year!

Monday, April 28, 2014

Before...After

Because it's always good to be reminded of just how much whitework improves a piece:

pre post

You can read more about this scroll here.

Tuesday, April 08, 2014

Books for free from the Getty

Getty Publications Virtual Library

Free digital backlist titles from the Getty Publications Archives

http://www.getty.edu/publications/virtuallibrary/index.html

Lots of titles can be downloaded as pdf files for free. Have fun!

Margaret de Mey's Pelican scroll.



Margaret de Mey is one of Drachenwald's treasures. This past weekend she was elevated to the Order of the pelican. this was the scroll. If you wish to see a WHOLE lot more pictures and read up about the making of then hop on over to my other blog and check it out but be warned it's super image intensive.

http://darksidescribe.blogspot.de/

Friday, March 21, 2014

Early medieval faux marble

Spending some time browsing the British Library catalogue, I came across this 11th c work, that I hadn't seen before.

What caught my eye this time was the colour of the columns in the canon tables (pages I usually skip over). It's the attempt to show the beautiful colours of marble that was so nifty. Look at the glorious purples, periwinkles, reds, greens!

This book isn't that large - about 7x9", close to the size of a trade paperback now. But just a joy.

Egerton 608: Four gospels
Possibly painted in what is now Luxemburg

f 8 - large version

Canon table

f 9v - large version

Canon table

f 15 - large version

Chapters


Tuesday, March 04, 2014

On the subject of assignments.



Greetings,

So it has come to my attention that there has been some unhappiness about the lack of work being assigned. This is due purely to the small amount of awards being given out and not anything else. Since Coronation there have been a total of 20 assignments done by a total of 16 scribes. Some scribes including myself have had multiple scrolls to do because of time crunches or because one scribe did the illumination and one scribe did the calligraphy.

The main reason for the small number of awards is the lack of recommendations being received by the Crown and that fact that we now have 2 principalities that also award AoAs for their own people by their own royals so that on a Kingdom level there are fewer entry level awards being assigned.

If people have issues with the Signet office (me) or questions about how things are being run then please email and ask because it is easier to address issues or explain the situation if I actually know there are problems.

I try really hard to spread the work around so that ALL active scribes get a chance to show off their work and sometimes that means that people might have to wait their turn again. Currently on the roster I have close to 60 or so active ( in varying degrees) scribes so as you can imagine sometimes that means not everyone gets to do work all the time. Also if I get an award request from the King and Queen and it comes with a suggested scribe then, unless there are other circumstances, that scribe will be asked first if they wish to do the scroll, whenever it is possible.

I would also encourage people to take this opportunity of quiet time to finish their backlog assignments as there are many still open-assigned scrolls on the current OP and it would be nice to see them get cleared up and the recipients receive their scroll. If you are unsure if you have a backlog assigned to you then encourage everyone to go and look at the online OP as now all assigned backlogged scrolls will have the scribe's name publicly listed.

http://op.drachenwald.sca.org/backlog.html

So as soon as more work becomes available I will let you know and if you know people who you think are deserving of an award then please send the King and Queen a recommendation through the proper channels.

http://op.drachenwald.sca.org/recommendation.html


YIS,
Mistress Bridget Greywolf OL
 

Monday, March 03, 2014

Materials sharing at Oxford Scriptor3um

With the Oxford Scriptor3um coming soon, I'm re-issuing my invitation to swap materials from last year. I have more of these items than I can use in a lifetime of gilding, mixing and gesso-ing.

If you're attending, save yourself expense and storage and get only the quantity of esoteric materials you really need!

Sadly this does require attendance in person - Royal Mail frowns on shipping even small containers of white powders.

Also: if you want any pergamenata to practice with or use for scrolls, please contact me with a postal address. I have lots, and can ship scroll-sized pieces easily.

Please get in touch via the blog or contact me at signet@insulaedraconis.org.




Monday, February 24, 2014

A Story of an AoA


We often show and tell about our personal masterpieces, like Peerage scrolls, but this time I’d like to tell you story about one little and simple AoA scroll, because… yes story itself behind the said scroll.
The story starts last summer at Cudgel war, where a fine young maiden named Anneke won an archery competition, or one part of it and received a small scroll for it. It is just a simple rectangle divided in three parts, one of them with the text, one with the initial and one of them is empty. Anneke asked me at St Dies Anna if I could paint a picture of something archery-related to the empty square (as I had made the scroll) and I said yes of course, just give it to me at some event.

Forward to January about a month ago. Anneke is besides a good archer one of those people who does unwanted and often unnoticed duties at events, like kitchen cleaning, helps where needed without fussing about it and in general has really become one of Aarnimetsians and Scadians in those about three years she has been a member of the society. So when someone asked if they would make a recommendation of Award of Arms for her, could they propose me as a scribe I very gladly agreed. So when I got to know she would indeed get the AoA, I started the normal pondering of the scroll and thought it would be nice to have something about archery in its illumination.

Then I almost got a heart attack! Anneke contacted me and said she had found nice picture of Medieval lady with a bow and an arrow. I thought who the h*** had told her she would get an AoA! And I almost asked it from her, but fortunately I then remembered the older scroll and my by then half forgotten promise and realized she was talking about it. So I asked about the picture, said thanks – and used it as an inspiration for her AoA scroll.

It was so fun to be a lady-in-waiting of our Baron and Baroness at the court of Midwinter Feast last weekend and see quite closely when King and Queen gave her the scroll and she realized what I had done! Talk about fighters, being a scribe can also be quite exiting sometimes.


Monday, February 10, 2014

sealing the deal

One of the cool things about scrolls is sometimes getting to add seals to them. As signet Clerk I get to use one of the Kingdom seals for this purpose.Here are two examples of scrolls which were designed to have a seal attached. The first one if a Court Barony for Gottfried Killianus the scroll is done by Lady Arianhrod.







The second piece is work by Mistress Genevieve for Marcus von Stormarn and it is a Grant of Arms.





The seals were done in steps. First I make a beeswax cup using an old glass jar lid as a mould. Once the wax has hardened and is removed from the mould it is a nice smooth disc. I then use a potter's tool to carve away the wax from the center out to form a cup. The next step is to cut away the wax to make a small channel for the strip or the small weave that will hold the seal to the scroll.  Once this is done I can then melt more bees wax, add a tiny amount of dry red pigment to the mix. I then pour this into the cup and wait until the wax forms a skin, once it is semi hardened I then use the seal and apply a light pressure as too much will make wax squirt out and / or break the whole thing. Then I let everything dry and harden in a cool place away from the sunlight.




Friday, January 10, 2014

a girly scroll

One of the things I really enjoy about doing scrolls is when one gets to actually discuss with the person who will receive it what they want. In discussion with Countess soon to be Duchess Siobhan what she wanted she sent me this image:


King's 322 f.1

This is 15th C Italian, love sonnets with some fun bits and pieces. She told me that she felt the rain on the heart symbolized, for her, the love of the populace she always felt. We had discussed at great length about her Duchy scroll and I knew that she wanted something very colourful with bling, in her words, something girly.So here are some images of the finished scroll with some closeups of the gold and the fun stuff.




The gilding is done with a ground made from Gum Arabic, sugar and distilled water. This recipe never fails me and I get the best shine from it. I also lay the paper on an old mouse pad when I burnish it seems to make it easier.




She was very happy which was great! I didn't think I would enjoy doing this piece because it's not something I'd ever pick for myself but it was what she wanted. In the end it was a fun piece to use and work from.
It's done on pergamenata, with gouache and water-colours, oak-gall ink, 23kt double ducat gold and it took around two seasons of a tv show which is what I tend to have on in the background when I work.

Thursday, January 09, 2014

Kingdom artisan writ for 12th night

I've posted a description and photos of the writ I did for HE Aryanhwy as kingdom artisan to my LJ. The photos are hers, and make this little piece look better than I remember it.

Robert did the impressions of the seals, and I made the seal bag.

While I can always do some individual steps better, I'm pretty pleased with the overall effect.


Monday, January 06, 2014

gild ALL the things!

When I was given a scroll assignment with two month's lead time, I knew immediately that I wanted to push the boat out, to do something that stretched my limits in terms of composition, decoration, calligraphy, and gilding. The scroll was for Lady Efridis who has served as Sven and Siobhan's personal herald for two reigns -- doing an excellent job -- and I wanted it to be something of a personal thank you too, one herald to another.

I ended up using every bit of my two months, completing it New Year's Day. You can read about the step-by-step making of the scroll elsewhere, but here I'll settle for lots and lots of pictures. :)

Because I knew this would be elaborate, I took photos after each stage. It's fun to look back on some of the middle steps -- the garish "blocks of solid color" stage -- and see just how much proper whitework can really deepen and strengthen a scroll.

The gilding on this went so much better than last time. This can be attributed to a number of things: I put down a very thick coat of size, and then let it cure overnight, not beginning the gilding until the next morning. I rehydrated very small portions at a time, and likewise only gilded small portions at a time, overlapping while working on the large blocks, e.g., of the initial. There were some places where it didn't stick as well as I would've liked (such as on the initial), so whenever I had a leftover bit, I'd apply it again to the initial, with the result that eventually all of the holes filled. If you look closely, you can see that there are rough and uneven spots -- but most people won't be looking closely, because they'll be blinded by the shine!

And now for some close-ups:

Close-up of the initial.

Bottom left-hand corner with Albion's head.

Upper right-hand corner with some of the in-text initials.

Floral border

Bottom border with Queen's edelweiss and Albion's head

scrolls for Coronation

Sigillum Coronae Queen for Mistress Katheryn Hebenstreitz

                    Queen's Order of Courtesy for Ingrid Audardotter


Duchy scroll for Siobhan

Gilliam Blackhorn's LONG overdue Knighting scroll.